Header and featured images: Franco Rubartelli, Untitled, (Veruschka), Vogue US, Conde Nast, April 1967.

Fashion and Culture:

Roland Barthes, The language of fashion. Oxford ; New York : Berg, 2006.

Peter Corrigan, The Dressed Society: Clothing, the body and some meanings of the world. London ; Thousand Oaks, Calif. : SAGE Publications, 2008.

Jennifer Craik, The Face of Fashion: Cultural Studies in Fashion. London ; New York : Routledge, 1994.

Fred Davis, Fashion, Culture, and Identity. Chicago: The University of Chicago Press, 1992.

Joanne Entwistle, The Fashioned Body: Fashion, Dress, and Modern Social Theory. Cambridge : Polity Press, 2000

Micheal R. Solomon, Psychology of Fashion. Lexington, Mass. : Lexington Books, 1985.

RICE, « Acculturation »

Ethnic costumes:

Joanne Bubolz Eicher, Dress and ethnicity: change across space and time. Oxford ; Washington, D.C. : Berg, 1995.

Bérénice Geoffroy-Schneiter, Ethnic style: history and fashion, New York : Assouline, 2001.

Kristin Knox, Culture to Catwalk: How World Cultures Influence Fashion, London: A&C Black, 2011.

Fashion photography:

Eugénie Shinkle, Fashion as photograph: viewing and reviewing images of fashion. London ; New York : I.B. Tauris, 2008.

History of fashion:

François Baudot, Fashion: The Twentieth Century. New York : Universe, 2006.

Christopher Breward, The culture of fashion a new history of fashionable dress, Manchester, Angleterre Manchester University Press, 1995.

Margaret Maynard, Dress and globalisation. Manchester ; New York : Manchester University Press ; New York: Palgrave, 2004.

Robert Ross, Clothing A Global History. Cambridge : Polity, 2008.


Fondation YSL, Yves Saint Laurent and Morocco, curated by Pierre Bergé,

Yves Saint Laurent; Diana Vreeland; Costume Institute (New York, N.Y.); et al, Yves Saint Laurent. New York : Metropolitan Museum of Art : C.N. Potter, 1983.

Yves Saint Laurent; Pierre Bergé; Josephine Bacon; Fondation Pierre Bergé-Yves Saint Laurent., Montreal Museum of Fine Arts, Yves Saint Laurent Style. New York : Abrams, 2008.

Lisa Immordino Vreeland, Diana Vreeland, The Eye Has to Travel, 2012.

Musée des beaux-arts de Montréal, sous la direction de Thierry-Maxime Loriot, La Planète mode de Jean Paul Gaultier. De la rue aux étoiles. Montréal: Édition de la Martinière, 2011.

Articles :

Stella Bruzzi, “Fashion cultures: theories, explorations and analysis”, London: Routledge, 2000.

David Crouch and Nina Lübbren. Introduction to Visual Culture and Tourism. Oxford: Berg, 2004. 1-20.

Ginger Gregg Duggan, The Greatest Show on Earth: A Look at Contemporary Fashion Shows and Their Relationship to Performance Art, Fashion Theory, 2001, Volume 5, Issue 3, pp.243–270.

Kay Dian Kriz. “Curiosities, Commodities, and Transplanted Bodies in Hans Sloane’s Voyage to … Jamaica.” In An Economy of Colour: Visual Culture and the Atlantic World, 1660-1830, eds. Geoff Quilley and Kay Dian Kriz. Manchester: Manchester University Press, 2003. 85-105.

Sanda Miller, “Fashion as Art; is Fashion Art?”,  Fashion Theory, Volume 11, Issue 1, pp.25-40, 2007.

Mary Louise Pratt. “Introduction: Criticism in the Contact Zone” and “Science, Planetary Consciousness, Interiors.” In Imperial Eyes: Travel Writing and Transculturation. London: Routledge, 2008. 1-11, 15-37, and 228-30.

Agnès Rocamora, “Fields of Fashion : Critical insights into Bourdieu’s sociology of culture”, Journal of Consumer Culture 2002 2: 341

Valerie Steele, “Museum Quality: The Rise of the Fashion Exhibition”, Fashion Theory, Volume 12, Issue 1, pp.7-30, 2008.

Nancy Troy, J. “Couture Culture: A Study in Modern Art and Fashion”, The MIT Press, Cambridge, 2003.

John Urry. “Theories.” In The Tourist Gaze 3.0. London: Sage, 2011. 1-30

Elizabeth Wilson, Adorned in Dreams: Fashion and Modernity, London: Virago Press.


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